LO2: Panel layout

Page 1

I went through multiple layouts in the sketching stage but landed on this one due to the previous layouts similarity to page 2. The highlight of this layout are the panels in the middle. The slant panels enhance the action/rush in the scene while also pulling the audience's attention in certain directions. It is better suited for a high stakes action scene than the middle panels on page 2. My idea is to also extend the image in the top panel past the traditional border for a pop-up effect, with the background colour seeping through to all the background and gutters. The narrow panels also allowed me to overlap certain elements across panels to create a smooth flow of action.

Page 2

The second page follows a pretty standard panel layout that is seen in many traditional comics. The reason behind the rectangular top panel is so that a wide/establishing shot of the setting can be used to introduce the location. This is necessary as there is a time skip/flashback involved. At the very base, page 1 and 2 are very similar, though the middle panels truly dictate the flow and tone of the scenes. The jagged and narrow panels on the first one emphasise the action while the wider, stable panels on page 2 show a comparatively calm and composed environment. 

Page 3

The final page follows a quick series of events. I have made some changes to this and have slightly strayed from the storyboard in terms of camera angles and composition all-together. Though, the tall and narrow panels seen here are able to translate the flow and urgency of the scene well. The actions of Akruti opening the door and her immediate reaction to it will be broken down into small, quick sections to define the pacing of the events. Comparatively, the final shot will be a medium shot instead of a close up to set the scene and show the readers the character's body language. This is an essential part in the storytelling of the comic.